Love Never Dies: Unjustly maligned musical gets a new life on screen - Telegraph
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Rob was the first Phantom I saw, but, then, obviously, I saw Anthony in the show a number of times while we were on tour. What was it like to see him in action?
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Every single time, he was just amazing. He's one of the great Australian musical theatre stars. He is a fantastic, fantastic actor. Anthony's voice is just so damn incredible that I didn't expect him to be such a fantastic actor - but, he is.
Seeing him work and getting to work with him, you realize he is a fantastic actor.Point of No Return - Anna O'Byrne + Marcus Lovett
He is so skilled. So, I have played her over a number of years now, really, so it's kind of like when you see a friend being really happy and a friend becoming really fulfilled, I feel like Christine is becoming a parent and that fulfills her in a way that nothing else can.
So, yeah, that is a really cool moment to me. What an interesting insight. What other moments connect the two shows for you? There are a number of moments with the Phantom that link them, too, I think.
LOVE NEVER DIES Special Interview: Anna O'Byrne
Particularly when, in our show, he gets a little bit possessive of her and a little bit angry. Halfway through the first act, there is a little kind of reminder to me of the final lair and playing that scene, which is such a redemptive scene for him in the original. That moment is the most significant change in this vastly different version of the show, where the Phantom essentially is holding Christine ransom.
Tell me about how the show developed in rehearsals and how you became involved with Simon Phillips in the first place. Well, we started with Ben and we did every audition I did together. Actually, my last audition was a day of workshopping the material with what turned out to be basically the entire cast of principals - and, that was amazing.
LOVE NEVER DIES Special Interview: Anna O'Byrne
I am such a fan of his that to see Simon work in that way was so thrilling - refining things; put little bits of extra music in; flopping lines around; just refining the material. Just the idea of the Phantom forcing Christine's hand and threatening her son in order to get what he wants was a big, big change from Australia to London. And that exponentially changes everything.
Yeah, that was a really important difference. While the Phantom as a character has changed and Christine gives him such redemption at the end of PHANTOM that I think has really carried on into his character, essentially, he is still, you know, very socially awkward! And slightly unhinged, as well. He is still completely obsessed with Christine and he has this desire to possess her - and, she, on the other side of that, wants to be possessed by him, as well.
Boyfriend of twins Anna and Lucy DeCinque speaks out | Daily Mail Online
There is something very deep inside of her that he accesses in that way. And, the reality of that sets in for them of the decision that they both made. It's a really sad moment. When we perform the show, I sometimes still really struggle in that number because I get a bit emotional!
One of the early versions of it, I think. What song in the score is the song you get the most feedback on personally from audiences - "Love Never Dies"?
Yeah, "Love Never Dies" is it. I get lots and lots of girls talking to me about my costume in "Love Never Dies" - it's so beautiful. The peacock motif is so striking. Yeah, it really is - what Simon has done with that song is so gorgeous. Then, to sing Andrew's melody that is so beautiful - Andrew just writes incredible melodies, particularly for soprano voices.
That song has such a strong melody. Particularly pungent - even for the master of melody. So, yeah, people will talk to me about the big aria. You know, it comes at a big point in the show - I've got everything kind of leading up to that moment for me as Christine.
It's a big feeling of relief once I've sung it every night, but it's a beautiful song to sing. I love singing the whole score, though. It may be his best score - certainly one of his best. That makes it special.
Being a performer trained in opera, do you recall seeing Kiri Te Kanawa premiere the first song from the sequel at Andrew Lloyd Webber 's 50th birthday celebration? I am still a huge fan of Kiri - you know, she's from just across the road from us here in Australia; New Zealand. I just thought the music was so incredible.
At Phantasma, a trio of freak show performers Dr. She expresses her hurt and resentment that the Phantom never took any notice of her or appreciated her singing and dancing. In an unprecedented move, Fathom will be presenting the elegantly designed film of the stage show in over movie theaters nationwide, making LOVE NEVER DIES an absolute must-see for Broadway babies curious to see where the story of the Phantom, Christine and the rest ends up ten years later - and, also, a real treat for just plain entertainment enthusiasts in general out there.
Furious, the Phantom vows to kill the "drunken fool," but Squelch informs him that he saw the Vicomte leave alone.
Later, the freak show trio takes Gustave to meet the Phantom in the Aerie, where the boy is enthralled by the many curious inventions and creations on display. Particularly when, in our show, he gets a little bit possessive of her and a little bit angry. To say the least - the camera is very up-close and personal in this filming.
So, I know that it must be very difficult to already see something come to life and then to see a group of new people taking it and bringing it in a completely different direction. There are a number of moments with the Phantom that link them, too, I think.
Suddenly realising that Gustave is missing, Christine recalls that she had asked him to wait backstage for Raoul, but she does not want to believe that Raoul may have taken the boy.
She produces a gun and holds it to her head, intent on ending her misery. Oh, that is so, so nice to hear! First and foremost, we were all so proud of the work that we did - nothing like this has ever been done in Australia before; certainly not a commercial musical theatre show. Yeah, "Love Never Dies" is it. Every single time, he was just amazing.
Christine recalls the events at the Opera where she had to decide between Raoul and the Phantom. Y, and he promises to show the boy around Phantasma the next day. The Phantom also offers Raoul a bet: